Anatomy of a Cosplayer

COSPLAY – It’s a word that invokes a multitude of reactions and explanations.

From comic conventions, to charity events, to movie premieres and parades, there are people donning the costumes and personas of every character from comics, video games, pop culture, and even internet memes. And behind the masks and tights of this costumed community are everyday people – doctors, lawyers, police officers, firefighters, soldiers, and a lot of computer professionals of all ages, genders and races.

Author James Hannon introduces you to a cross-section of costumers, and takes you behind-the-scenes of cosplay life over the last decade. From the small niche of early Star Trek and Star Wars costumers to the modern cosplayer community, meet the people who have been there along the way.

Anatomy of a Cosplayer has everything you ever wanted to know about cosplaying, but didn’t know (or were too afraid) to ask.  Learn about the costumers – the how and why they got into this hobby. Read about some of the larger costumed organizations, and their impact on the community and fandoms worldwide. Join others on their individual cosplay adventures and learn how they deal with the changing environment, costuming skill development, and what it really takes to survive a convention. Hear from over 70 cosplayers as they honestly tell of their experiences, good and bad, within this silly, yet rewarding thing we call COSPLAY.


Available on Amazon and Barnes and Noble


KIRKUS REVIEW

A cosplayer explores the phenomenon that has him portraying a galactic Stormtrooper and other characters.

Comic book conventions these days feature parades of grown men and women dressed up as action heroes and other characters, proudly posing for photographs and reveling in the rising popularity of costume play, or cosplay. The global market for cosplay costumes, which reached $11.7 billion in 2014, is forecast to grow to $23.6 billion by next year. In this book, Hannon (Lost Boys of the Bronx, 2010), an avid cosplayer, shares his experiences and examines this intriguing trend. The author’s own fascination with cosplay began with attending a Star Wars exhibition, which resulted in him putting together a Stormtrooper costume and joining the 501st Legion, a pioneering “costuming community,” whose membership has roughly tripled since 2008 to more than 12,000. He “struggled with shyness” but after his first event, or “troop,” with the Legion—a Halloween parade—he came out of his shell. He added other characters to his repertoire, co-founded the Legion of SuperVillains, and enjoyed the camaraderie of other cosplayers. “Forget about the TV show Cheers, conventions are truly the place where everyone knows your name,” he writes. The book also deftly spotlights some of Hannon’s costume-loving friends, many of whom found in cosplaying a way to express their inner geeks or “live out a childhood fantasy.” “You can relive your childhood, but also bring joy to the next generation, as little kids love this kind of thing,” says one, while another asserts, “Let’s be honest, it’s so we can play pretend.” But the author’s use of an oral history format often produces dreary reading and his account fails to offer the depth that would make it compelling to non-cosplayers. He mentions, for example, that he has seen the breakups of costumed couples firsthand, but rather than examine how cosplaying might contribute to marital tensions, he refrains from getting into specifics. Ultimately, he fails to bring as much color to the participants as they do to the characters they inhabit. Still, Hannon provides a lively insider’s view of cosplaying, delivering some vivid details. For example, the crowds at conventions have become “absolutely horrible,” but—very much on the plus side—the 501st Legion raised $889,000 for charity in 2017.

An account provides rich insights into the psychology of cosplayers but lacks the depth that would attract a wide audience.